Biography
She studies in Prilidiano Pueyrredón Art School and, in parallel, she investigates composition and color in private workshops. In 1994 she travels to Europe and gets in touch with the Scottish artist Ian H. Finlay. From that stopover in his studio, and from the notes and drawings she did in Little Sparta, will derive many of her current works.
Individual exhibitions: Museum of Modern Art, Buenos Aires, 2003. The tremendous beauty of drama, ICI, Buenos Aires, 2000. Exhibitions, surgeries and interventions, Edge, Buenos Aires, 1999. Histories of Perlesvaus, Recoleta, Buenos Aires, 1991.
Collective exhibitions: Arco, Madrid, 2002. Last tendencies, don. MAMBA, Buenos Aires. Art Biennial of Buenos Aires, National Museum of Fine Arts. P. City Bank, MNBA. Around the semblance, Montevideo, Uruguay, and in Mar del Plata, Argentina, 2001. P. Nation Bank, Cronopios, Buenos Aires. P. City Bank, MNBA, Buenos Aires, Trial, C. Borges, Buenos Aires, around the simulacrum, French Alliance. Buenos Aires, P. Klemm Foundation, Buenos Aires, Art Biennial, National Museum of Neuquén and Cordoba. 2000, Recoleta, Buenos Aires, P. ICI, Buenos Aires Video XII. International Festival Selection / Computeraided Art Exhibition, Dresden (Germany). P. Prodaltec, MNBA, Buenos Aires. Installation in Ricardo Rojas Cultural Centre, Buenos Aires. Windows, Del Infinito Art Gallery, Buenos Aires. 1999, P. ICI. Buenos Aires Video Xl, P. Siggraph, MNBA, Buenos Aires. Transliminars, National Arts Fund, Buenos Aires. P. Fortabat, MNBA. Buenos Aires. P. Costantini, MNBA, Buenos Aires. 1997, The B. Zorrilla artists, Filo, Buenos Aires. 1995, From amnesia to memory, cayc, Buenos Aires. P. Iggam. cayc. Buenos Aires, 1993. P. Gunther, cayc Buenos Aires. 1989, P. ICI, From dream to object ICI, Buenos Aires. Prizes: 2002 - Konex, digital art. 2000 - Nation Bank Prize Mention to Visual Arts, Prize Leonardo - First Prize ICI, Experimental Digital Art, Buenos Aires Video XII, Special Mention of the jury Prize Prodaltec. 1999 - Mention of the Jury Prize ICI, Experimental Digital Art. 1994 – Second Painting Acquisition Prize- Ornaments and Arts Commission Buenos Aires Province.
Vision of art
1. Choose a work that represents you, describe it in relation to its format and materiality, its relation with time and space, its style and theme; detail its production process.
My work is a work process and I do not feel that one of my works represents me. They come from the same anxiety, that thing unconsciously intangible that seduces me. For sure, every artist last works represent us in a more complete way. My interest is that in my work things happen naturally when in fact they are not. The 3D digital generation has helped me to enter to images that do not seem to be lineal. I also come and arrive from photography.
2. In general terms, how would you suggest to approach your work?
My work is visual and not tactile, although you want to touch the image all the time. Then, the confrontation between the tactile and visual encouraged me and I like that the other feels comforted too.
3. In reference to your work and your position in the national and international art fields, what tradition do you recognize yourself in? Who are your contemporary referents? What artists of previous generations are of interest to you?
I was always interested in Mondrian´s reading of New York and how he overturned it to his work. That subtle grid. That specific reticle, was what he saw with his eyes? I was also influenced by pop art as Magritte, by the physical and psychic aspects of perception.
4. Choose works or exhibitions from the last ten or fifteen years which in your opinion were very significant and explain why
Rather than talk about an exhibition, I prefer to name the works in process such as the Kuitca scholarship and the Trama scholarship. And of course Gumier Maier, who has participated in a very active way at the beginning of the nineties as an artist and curator; for his way of uniting and seeing
