I was born in Buenos Aires. I spent my childhood in the island of Martín García. After 20 years in Patagonia and other places, I went back living in Buenos Aires. I’m interested in everything; I take part in everything I bump into that fits the minimum effort equation. I like people, I learn from everyone. I give my support to the Kopts.
Vision of art
1. Choose a work that represents you, describe it in relation to its format and materiality, its relation with time and space, its style and theme; detail its production process.
SPAGHETTI ABASTO: public noise rehearsals / sharing the movies, mp3, ebook / PC recycling / so free / wash and wear / performances / poetry / books / tailoring and design / shakes / spaghetti / treehouse / balconies / terraces / paintings / sanctuaries / posters / bars / basements / kioscs / dumps / markets / squares / beers / concerts / dividing walls / projections / videos / abandoned houses / kioscs / exclusive tour / discussions / we will not always have spaghettis, not even abasto.
2. In general terms, how would you suggest to approach your work?
3. In reference to your work and your position in the national and international art fields, what tradition do you recognize yourself in? Who are your contemporary referents? What artists of previous generations are of interest to you?
Roy Ascott, Takeshi Miike , Ursula Le Guin, Stansilaw Lem, Joseph Beuys, Jean Michael Basquiat, Marcos Novak, Mark Pesce, Comandante Clomro
4. Choose works or exhibitions from the last ten or fifteen years which in your opinion were very significant and explain why
Kuitca Scholarship Programs, ZAT and Proyecto V by Roberto Jacoby, Claudia del Río’s drawing club.
5. What tendencies or groupings from common elements do you see in argentine art of the last ten or fifteen years?
Lobby-art, Anarcho-art, Technoshamanism.