I was born February 1st, 1979. Since then, I’ve stayed at home, attended the Art Institute, Tramas, stayed at my grandmother’s, in Posadas, at Córdoba, the provincial Museum, the club, Comodoro Rivadavia, Antorchas, at my friend’s, Urquiza Park, the Villa Urquiza art biennial, the kiosc, the bar, sidewalk, ArteBA ’06 (Barrio Joven), Julia’s armchair, Casa13, together with my friends, Chaco, Corrientes, at the court, at Tati’s, at the beach (many times), Interfaces, in front of the computer, at work, Casacueva, and some other place. I’ve been around and will be again, together or with my friend or a relative from the sea.
Vision of art
1. Choose a work that represents you, describe it in relation to its format and materiality, its relation with time and space, its style and theme; detail its production process.
Due to the fact that in each project that I approach, my works can vary radically in terms of formats and aesthetics, it’s difficult to choose a work or series of works that represent me. On the other hand, I’m generally involved in more than one project at the same time and they might be totally different from one another, even the opposite. I can say that my most recent works are the result of mental associations that I’ve done, from my own readings of what I see, like a viewer inmersed in a sociocultural system feeds himself from it for its work. And like two different projects, one that is based on urban life as a mechanical system while the other one is based on life inside places and atmospheres; leisure time, houses, clubs, friends meetings, etc. The first one, done on glaze, collage and inks and of variable sizes between 80cm sideway and a maximum of 180cm wide. The second one, on the other hand, is composed out of digitally printed photographs taken by myself and digitally modified on Photoshop also by myself. These are rather elongated, as sequences of images, of 15cm tall and 60cm long each sequence.
2. In general terms, how would you suggest to approach your work?
In order to be able to read my own work, it would be good for the viewer to be in front of it, lol. I’d prefer each viewer to take his or her own conclusions, and take ownership of it in his or her own way. At that particular moment, I think I’m totally alien to that situation and what may come out of it, therefore I’m alien to the work itself.
3. In reference to your work and your position in the national and international art fields, what tradition do you recognize yourself in? Who are your contemporary referents? What artists of previous generations are of interest to you?
I crazy about Madi art.
4. Choose works or exhibitions from the last ten or fifteen years which in your opinion were very significant and explain why
I’m crazy about Madi art, it doesn’t matter if it dates from more than 15 years ago.