2007. TUCUMÁN-ARTS Program Argentina Pinta Bien. Northwest Museum Timoteo Navarro / Centro Cultural Recoleta.
1st PRIZE. XIV MULTIDISCIPLINARY FAIR CARLOS NAVARRO MARIA. Engraving and digital art form. Organized by the Extension Department of the Faculty of Arts, UNT. Centro Cultural E. F. Virla. Tucumán. 17 to 30 September 2007.
THE MEN OF MY LIFE-Paintings. Solo Exhibition. Centro Cultural E. F. Virla. Tucumán.
2006 - INTERFACES-visual dialogue between regions-Rio Gallegos-Tucumán. National Endowment for the Arts.
2006-2005 - ARTE-BA. Fair of Galleries. "The Baulera" Youth Borrogh Project. 18 to 25 May. Bs
2005 - Hall OSDE-VISUAL ARTS AWARD ARGENTINO-Finalist NOA region. Buenos Aires
LIVING CHANDON. Museo Provincial de Bellas Artes Timoteo Navarro. Tucumán.
TRAMA THE MEETING. Regional Workshops in arts management exchange and cultural cooperation networks in Latin America. Buenos Aires
2006-2004-2003-2002 .- "KERMES OF ART”. Artistic intervention. Plaza Urquiza, September, with exhibiting artists from Tucuman, Buenos Aires, Santa Fe, Neuquen and Cordoba.
2004 - ART-MIAMI. Gallery of the Alberto Rouges Cultural Center from the Lillo Foundation. Miami Beach convention center. Florida, USA. UU.
2003-3ER. PRIZE. "XI ° SALON MARIA CARLOS NAVARRO. MULTIDISCIPLINARY. Organized by the Extension Department of the Faculty of Arts at UNT 19 to 30 November. Centro Cultural E. F. Virla. Tucumán.
2002.-GRANT TO REGIONAL STIMULUS, Antorchas Foundation. Regional North. BsAs.
Vision of art
1. Choose a work that represents you, describe it in relation to its format and materiality, its relation with time and space, its style and theme; detail its production process.
I think the work that most represents me at the moment is the digitally operated self-portraits, it binds my earlier collage works. I take a portrait photo on which the space occupied by the face is filled with another image creating some tension between the two images. The concept is to work the portrait without portrait, without a face, the way the objects or the moments around us can be part of us, or the way we identify with them.
2. In general terms, how would you suggest to approach your work?
To read my work, I would suggest: 1st, glass of a sweet drink, 2nd, relaxation and 3rd, no complicated formulas to try to interpret or solve existential problems.
3. In reference to your work and your position in the national and international art fields, what tradition do you recognize yourself in? Who are your contemporary referents? What artists of previous generations are of interest to you?
I feel close to or within a light aesthetic, correct and somehow surreal. My contemporary references are: Marcelo Pombo, Jorge Gumier Maier, Paul Siquier, Román Vitali. The artists that most interest me are: RES, Marcos Lopez, Fabiana Imola, Jorge Gutierrez, Leo Battistelli, Natalia Lipovetszky, Javier Juarez, Javier Soria Vázquez, Adriana Minoliti, Sandro Pereira, Zoe di Renzo, Daniel Chiachio Leo Gianone, Rodolfo Bulacio Rosalba Mirabella, Mariana Ferrari and Lucas Market.
4. Choose works or exhibitions from the last ten or fifteen years which in your opinion were very significant and explain why
I could not name just one exhibition. The series of exhibitions organized by the MALBA, for their contemporary cycles, were the most significant, for the spread they had, the quality of the artists and the experimental nature of the proposals.
5. What tendencies or groupings from common elements do you see in argentine art of the last ten or fifteen years?
The trends I personally observed within the arts: a) Minimal b) Conceptualist c) Political d) Urban e) Decorative